

The Sailor and the Sea Serpent by Jason Urban is this week's Select, and also by far my favorite of the new tees. The all-over striped look definitely stands out from most shirts, and even better it's essential to the concept. The swirling snake has almost a hypnotic appearance hidden in those stripes. It's an iconic kind of shirt, because it's a strong look that I'm sure will be imitated a lot in the years to come.


Squeeze by Dale Edwin Murray is a neat mix of realism and cartoon- the hand is a halftoned photograph, but the little character is 100% fantasy. What makes the tee for me is the creature's confused face- he seems as confused by this predicament as the viewer presumably is.
The Seven Ages Of Mandelion by Jonathan Turner (BaronVonMonkey) kind of rules. It reminds me of an evolution design done in a scientific drawing style, but the surreal nature of it is what really makes it shine. That said, the repeating nature of the design (that it begins and ends with a seed) makes me really sad that there's no wraparound. Even a trail of seeds across the back shoulders would go a long way towards completing the idea.


Larry The Fox Doesn't Feel So Clever Anymore by Paul Odders (Johnny Baboon) shows a lonely red fox amidst a monotone forest- at least at first glance. The real fun happens when you start to notice all the hidden black and white creatures squeezed into the scene. There's a nice mix of things that you'll see almost instantly (the zebra) and stuff that takes a little longer to notice (the lemur, perched on a branch)- it's enough to make the concept pretty clear even to a casual glance, but also with enough depth to support a sustained look.
The Big Catch by William Chua (xiaobaosg) is a snapshot of an epic battle in progress, with a housecat determined to land a monster fish. Expressions are the main asset here, with the fish's look somewhere between confusion and "bitch please," and the cat's look a portrait of unwavering grit. It's a really great drawing. The shirt color, though, feels really overpowering to me. I think because it's so strong, a lot of the delicate lines get a bit lost. A lighter shirt color would have resulted in a nicer final product, in my opinion.

Don't Trust In Cute Bunnies by Matheus Lopes Castro (mathiole) is another favorite this week, earning its spot with it's hilarious use of UV inks. Even without the inks, I think the concept stands up pretty well- I got the impression that the magician had somehow managed to disappear himself, leaving only a trail of his magical implements and rabbits. The UV puts a neat twist on it, depicting those bunnies as his adorable killers.


Shelf Life by Richard Lee (lofty softy) is like a sneak peek into the closet of a mad scientist. It's a cool concept, though the boxy execution means that I'm of two minds about the design- it's a great image, but the shape isn't exactly doing great things for the person wearing it. I'd say that a larger print might have helped, or better yet a more erratic shelving system with some wraparound or elements on back. As-is it's great art and would make a great print, but I'm not totally sold on it as a shirt.
Photo Finish by Neil Gregory (NGee) has a unique approach to the question of which came first, chicken or egg- though I was disappointed to see that the shirt seems to declare a clear winner. At any rate, it's a fairly funny concept. I find it kind of dull as a shirt though, as there isn't really any extra flair, humor or attractiveness here. It doesn't stand out to me at all, which is kind of disappointing.


Zombies Only Want You For Your Brain by Julian Callos is a pretty great slogan- it keys into the very nature of zombies, and also references the classic phrasing of youthful insecurity. The font selection is a good fit, but I really think something hand made would have been more fun- I think a different treatment of the word Brain would have been an attractive and funny touch.
You Can't Spell Random Without Tangerine Swordfish Disco Car by Dan Maltzman is this week's other slogan. And... I hate it. I've tried not to, since I like the text treatment and I'm generally in favor of oddness. But something about this slogan just feels like it's an unfunny attempt to cash in on the magic of Haikus Are Easy. I don't know, I guess this randomness seems too forced.

Invasion by Wenceslao Almazan (walmazan) definitely stands out in this crop of tees, due largely to its use of an interior print. With a host of cute creatures made visible when you life the shirt a bit, it's a perfect kid's tee. Which is, frankly, where the shirt kind of loses me- are there really a lot of adults who want to lift their shirts to show people cartoons? Really? I think this one might have been better off if exclusively offered for kids.


Boynado by Brock Davis (Laser Bread) is a cute look at giving tornadoes some personality. In some ways it's successful- I love the concept (that cow definitely got a giggle out of me) and the style is refreshing. Shirt placement, though, feels pretty arbitrary. It's a bit large and awkward for a chest print, which makes me wish that the tornadoes were much taller (something that would also make them appear more threatening, making the scene funnier).
Musical Chairs by Chris Sharron is the sort of punnage that people expect from Threadless, for good or ill. For me, it's not particularly strong- the joke is a quick laugh, but it's not a good-looking tee. The death metal chair is the only truly strong joke in the bunch, and it's just not enough to build a shirt on.


I Love Pole Dance by Lim Heng Swee (ilovedoodle) is kind of a naive take on the phrase pole dance, which is pretty amusing. I think the animals are fun, but when I look at this shirt the main thing on my mind is "Why did Threadless cheap out on the production?" I mean, this is clearly a shirt that should run from the collar to the hem, and yet... it doesn't. It just floats there. Production can really make a shirt like this, and the lack of effort there torpedoes this one. It's very unfortunate.
We Are The People of The World by Budi Satria Kwan (concreterocket) is an infographic showing the time differences all over the world. I would love this as a print (although I wish it was a bit more accurate). As a shirt... I just think all the data would be too small to be worthwhile. It's also not an interesting shape except at a very close viewing, which for me makes this not a shirt worth investing in.
Threadless prints new shirts every week, chosen from the designs submitted by and voted on by site members. Winners get $2000 cash and $500 in Threadless credit, with the possibility to earn more through Bestee awards, poster prints, and reprints.